They can arrange priority entry for you as soon as the doors open. Talk to a member of staff at the auditorium entrance if you have a disability that means you can’t queue, or you need extra time to take your seat. The external lift near the Artists' Entrance on Southbank Centre Square and the JCB Glass Lift are currently undergoing maintenance. Self: Authorship from Troubadour Song to Italian Poetry Book, Minneapolis 2000. Alternatively, there is a ramp to the Riverside Terrace from Queen's Walk, approaching from Jubilee Gardens.įor access to the Queen Elizabeth Hall auditorium seating rows A to C and wheelchair spaces in the Front Stalls, please enter via the Artists' Entrance in the Queen Elizabeth Hall Slip Road (Level 1).įor lift access to the Queen Elizabeth Hall Roof Garden please use the Roof Garden Lift on the Queen Elizabeth Hall Slip Road (Level 1). See also Olivia Holmes, Assembling the Lyric. ![]() Turn right to find the Queen Elizabeth Hall main entrance. From there, take Lift 3 up to Level 2 and exit to the Riverside Terrace. Her book, The Good Ally, has been described as ‘life-changing’ by many readers.įor step-free access from Level 1 to the Queen Elizabeth Hall auditorium seating (excluding rows A to C) and wheelchair spaces in the Rear Stalls, plus Queen Elizabeth Hall Foyer and the Purcell Room, please enter the Royal Festival Hall via the Riverside Entrance Doors next to Foyles on Riverside. She is a regular contributor to BBC News and Sky News, and has written for publications including The Guardian, Vogue, Elle and Stylist. ![]() ![]() She worked with organisations including Google, BT, Bloody Good Period and human rights charity Birthrights, and runs an online academy, Becoming Anti-Racist with Nova Reid. Through her TED Talk and podcast series, Conversations with Nova Reid, she creates space for people to talk about a variety of topics. Reid uses her background in mental wellbeing to encourage meaningful change from the inside out. Nova Reid is a thought leader, writer, TED speaker and curator of courageous conversations. He is also the author of Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime Black, Listed: Black British Culture Explored What Is Masculinity? Why Does it Matter? And Other Big Questions and Musical Truth: A Musical History of Modern Black Britain. It is through performing poetry that the. His book I Heard What You Said is a necessary call to action over an education system that is default white. Giving voice and sound to poetry is an important key to unlocking the meanings and music contained in each poem. Jeffrey Boakye is an author, broadcaster, educator and journalist, with over 15 years’ experience of teaching in secondary schools in the UK. Thus, the poetic figure of the lover becomes a metaphor for the political man, and love poetry can be used as a device for diplomacy, as well as for personal and institutional propaganda.As they share the stage for their first public event together, Boakye and Reid explore their journeys so far, what systemic racism looks like, the barriers that hinder meaningful change, the powerful role of education and the practical ways in which individuals can make the move from bystander to changemaker. In many texts, the language of courtly love expresses the values of caritas, the theological virtue that guides wise rulers and leads them to desire the common good. Most Ars Nova polyphonists were directly associated with religious institutions. The choice of this corpus is motivated by two primary goals: a) to offer a new interpretation of its meaning and function in the cultural and historical context, one that may be then applied to the rest of coeval European lyric poetry b) to overcome current disciplinary divisions in order to generate a new methodological balance between the project’s two main fields of interest (Comparative Literature / Musicology). This repertoire gathers different poetic and musical traditions, as shown by the multilingual anthologies copied during the last years of the Schism. ![]() But what happens with poetry when it is involved in the complex architecture of polyphony? The aim of this project is to study for the first time the corpus of 14th- and early 15th-century poetry set to music by Ars Nova polyphonists (more than 1200 texts). Dante Alighieri at the dawn of the 1300s, as well as Eustache Deschamps almost a century later, conceived poetry as music in itself.
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